For the past two years since the completion of Supernova I have been writing & recording material for what eventually became my debut full length album. I didn’t want this to sound like anything I had previously written. I had to level up and push my musical abilities to greater heights. All roads lead to MindsEye….
The usual theory of my writing process would revolve around having a simple timeline of writing a new set of songs and giving myself a month or two to record said songs and eventually release them into the wild for all
to admire. Not this time, it’s done when it’s done.
That was in 2011, but to say that the last 2 years have been a fucking mental state of time is an understatement of epic proportions, minus the Michael Bay special effects, although there were some transforming robots involved at some stage, but that’s another story entirely. I have always had a passion for astronomy, not to be confused with astrology which revolves around star signs and their connection with astronomical phenomena and human activity. For me, the planets, the moons, stars and galaxies and the wonders of the universe are so grandiose in relative thought that it simply boggles the mind; how as great as we perceive to be, yet, so insignificant given the grand scale by which we exist within. In comparison to the universe, we are a mere teardrop in an ocean. It’s the essence of the beauty & wonder of our existence that I aimed to portray in this record.
So where does the term MindsEye fit in all of this? For me, it is a journey of the mind, when fantasy meets reality, through personal interpretation and perceptions of real emotions with a fusion of electric rock, ambience and cosmic soundscapes.
Visualisation. Your own personal interpretation is not a rudimentary path leading to one simple conclusion. When listening to music, what do you imagine? What do you visualise whilst listening to a record on your travels, or while relaxing after a long day of events? Now that you’re thinking about it, wonders will never cease to amaze you. That was my intention with MindsEye, to tell a story of love, lust, passion and optimism that takes you to places in your mind with blending themes of astronomical relativity and the human condition. The original storyboard for the album was 42 tracks that was approx 90 minutes in length and was essentially the musical score to an unwritten movie. After a lot of consideration I eventually decided on the 15 tracks that I felt comprised the album I always envisioned.
To me, MindsEye is everything I have ever wanted my record to sound like and represents my personal evolution as a singer, as a song writer and as a musician, displaying the marriage of vocal songs with instrumental compositions that span the genres of rock, prog, metal, experimental and electronica. All of my visual influences from art, culture and motion pictures combined with the music that inspired me the most from some of my favourite bands; U2, R.E.M, Coldplay, Rush, Dream Theater, Iron Maiden, Steve Vai, Daft Punk, Radiohead & Vince DiCola et al are who helped me complete this musical chapter.
The great thing about finishing one chapter is knowing that there are more to come, especially seeing as I have 4 ep’s worth of music that is still yet to be heard, yet have already been written & recorded. For now, there's one more chapter to add to the journey. MindsEye is available now to download through all digital media stores and android markets worldwide.
It has finally become apparent that Lady Gaga Is the last bastion of REAL pop music. She can simultaneously sing, dance, write decent songs, perform these songs and look good doing so while audiences watch with awe.
That is not just an artist, but a star. The evidence came within a the two-hour MTV VMA Awards last night from Brooklyn, NY, which Gaga opened the show with a performance of her new single Applause, taken from her forthcoming 4th release ARTPOP, featured in the official video below.
The quality of the show in general went south as soon as she had finished. Apart from Justin Timberlake’s exceptional performance, because let’s face it, it’s JT, nothing stood out whatsoever as memorable or anything remotely decent. The fact that Kanye West still needs to use auto-tune says too much about where his “talents” lie. Yes, he’s written a few good tunes as a successful artist would, but seriously, the joke isn’t funny anymore. #fishsticks
Other performances on the night came from Drake, Katy Perry, Austin Mahone in the pre-show (Who?) and Macklemore ft Ryan Lewis. I’ve never even heard of the last 2 ‘til last night, but apart from the Eminem wannabe rapping which is 10 years too late, none of these fuckers could carry a note if it came in an envelope. Use that as a line in your next rhyme Macklemore, you’re welcome!
What the actually hell is Miley Cyrus and how can I erase it from memory for evolutions sake? This, quite frankly, is another side to the problem. Pop music has completely lost direction. Instead of Twerking it, why aren't these one drectional/dimensional fuckers WORKING at it? Forgive me for sounding critical of pop music, because anyone that doesn’t like pop music immediately thinks of the word shit, but there is, sorry, was good pop music out there and there still is, somewhere on your iPod or in your cd collection. Music in general used to have passion, soul, energy, creativity, style and substance. If half these fuckers are celebrated as the cream of the crop then the crop is stale, mouldy and in serious need of revitalisation. I would have thought that being an MTV Awards show we would have at least seen some Rock or Metal acts, but no. Only the exception of 30 Seconds To Mars carrying the Rock flag winning best Rock Video Award is a small consolation to an otherwise pointless waste of airtime and twitter updates.
All of this without even uttering the name Taylor Swift, but now that I’ve mentioned it, the swelling head of arrogance that she has become. Taylor, darling, come back down to planet earth when you’ve learned how to write a song that’s not about one of your thousand pointless and pretentious relationships. All your songs sound the same, are the same and are boring as your name. Have something to say or fuck off. Actually, just fuck off. An honourable mention for One Direction must be acknowledged. mazel tov motherfuckers, even with your millions of record sales, female fans and awards you STILL couldn’t hold a candle to a one minute ‘NSYNC reunion. Take note boys, that’s what a real pop band looked like once upon a time, substance included. This is a testament to the brilliance that is Justin Timberlake, who can pull of the curly blonde mop top, venture off to do his own thing successfully with the assistance of Pharrell & Timbaland, jump ship into a pretty decent acting career to date then, after buying the baron wasteland in Myspace, jump back to the music back to music, release a pretty decent new record and show every pop star and wannabe X Factor contestant how it’s really done.
Something needs to change. Music needs a change, desperately. Two people can’t fly the flag for one genre. Don’t even look at Madonna, that shit is old hat. It’s not just pop music, rock too, even metal. Hip-hop seems to be doing reasonably well apart from the exceptionally untalented Lil’ Wayne who needs to learn the guitar instead of pretending to play it live,
Music needs saving. Record companies, MTV, Simon Cowell, your days of churning out shit music from talentless acts needs to stop immediately. Shows like Idol & Factor aren’t helping, they create winners who rarely get to release a record and if they do, it flops and more money has been pissed down the proverbial drain. Stop wasting time with this crap. Get off your asses and search for REAL talent, there’s this thing called the internet, fucking use it.
Let the campaign begin. Like my facebook.com/benjaminteachermusic
Follow me on twitter @benjaminteacher #MakeMusicMatter
Heavy Metal has always been silently known as the bastard child of the music world, but as we know, some bastard children grow up to do great things and in this instance of metal, there's a lot of good music out there.
Black Sabbath are considered to be the Godfathers of Heavy Metal, though some say Led Zeppelin, Deep Purple & even bands like Steppenwolf are the first heavy metal bands. In that time period, perhaps, but any casual fan of metal sees these bands as hard rock/classic rock acts at best.
Metal is heavy, hence the name. Sabbath were not just heavy sounding, but heavy lyrically. Just read some of Geezer's lyrics, then read some of Zeppelin's or Purple's. They paint very different pictures entirely, given metal's evolution.
But, given the Godfathers rightful place in musical history, are they the best? It's a very open question as any true die-hard Black Sabbath fan would say yes. Any hardcore Ozzy fan will say maybe, but might without question say yes to Ozzy himself, given the propelling solo career Post-Sabbath. Even after Ozzy was fired in '79, Sabbath continued with Dio, Tony Martin and others behind the mic as Iommi kept flying the Sabbath flag high and clear.
Metal has spawned some of the greatest bands in music's quite short history. We seem to forget that although music has been around for thousands of years (Blackmore's Night springs to mind.... #Drumroll) and although solo artists and bands only started emerging in the early 1900's, so much musical history has been made, especially in the metal world. Enter Metallica. Anyone that knows the name most likely knows the history, from Mustaine, Cliff, Justice, Grammy's, Black Album, Hair-cuts, S&M, Some Kind Of Monster (fantastic film), Death Magnetic (with the un-named record engineer) and now Through The Never.
Metallica have sold more albums than the rest of the big 4 combined, even though many metal fans will argue 'til the end of time that Megadeth are a betterband, that Slayer, Anthrax among others are "the better band". It really is down to personal perception as to what "makes" the better band. Record sales? Legions of fans? Musical accolades? Branding/Franchise? The songs themselves, the albums they were on, or the MTV videos?
The answer is, whatever makes you happy. Personally I feel Metallica have made a couple of great albums. I like some tracks from Kill 'Em All. If Lightning had Master of Puppets production I would probably say Lightning is their best album, but it's not, Puppets is. Justice would have been a step-up if it had any bass. I don't really care for the Black Album bar The Unforgiven & Sad But True. Ironically, I like Load, though it should have been a double album with only the good half of Re-load making an appearance. Funny thing is, if that album had been released under a different band name, it would have sold twice as much and been considered a great hard rock album, but because it was a Metallica album that wasn't "metal up your ass", a lot of their fans unfortunately dismissed it as the Black Album part deux.
St Anger would have been half a decent record if the snare drum was tightened up and if Bob Rock threatened to kick Hammett in the nuts if he didn't record a fucking guitar solo. It ended up becoming an album of average songs averaging seven minutes long for each track. Having no solos is a worse move than the most pretencious prog rock album you will ever find. Don't ask me which one, there's a few out there. Death Magnetic & Beyond Magnetic were a step back in the right direction, but the guitars are distorted. I don't mean through the amp, that is guitar distortion, I mean through your speakers. It's not your speakers making that fuzzy, buzzing sound, it's Rick Rubin taking his eye off the ball and just telling the band to "get on with it". Look at the album sleeve and try to find the sound engineer's name in the album credits, I guarantee you won't find it & with good reason too, but even that doesn't beat Lulu.
Moving swiftly onto and away from Lulu as fast as humanly possible. What the actual fuck were they thinking, exactly? Maybe it was their mid-life crisis album. The greatest thing that album spawned was the lyric "I am the table". If you wish to see my thoughts on the shittest album I've probably ever heard, watch this old podcast video from YouTube below.
Now that you're thinking about it, are Metallica truly the greatest heavy metal band of all-time? Did you watch Some Kind Of Monster? Did you listen to Lulu from start to finish? Would you consider a band that has made quite a number of wrong turns on their path to metal stardom to be considered the benchmark for what makes heavy metal one of music's best genres and a household name when it comes to all things hard rock & heavy metal?
Undeniably, they are a great band and have made great music, but so have bands like Megadeth, with Peace Sells, Rust In Peace, Countdown & even Youthanasia, which isn't as metal as the aforementioned, but is to Megadeth what Load is to Metallica. What a fantastic album that is. Even a couple of their more recent records, United Abominations stands out for me. Put that up against Lulu and ask yourself what do you honestly think? Is Master of Puppets the greatest thrash metal album ever made? Or is it Reign in Blood? Personally, if we're talking about Slayer, Seasons in the Abyss, the album, was their best. The song, I personally consider is up at the very top with Puppets as the best thras song. Granted, it came 4 years after, but still a very strong contender to that particular crown. As a fan of prog rock & metal I would strongly make an argument that Dream Theater are one of the best and simultaneously, most underrated bands that fall into the metal genre. Like Metallica, they have had albums that hit & miss with their fanbase, but records such as Images And Words, Train of Though, Six Degress & Black Clouds are some of the finest collections of music (not just metal) I can honestly say I have ever heard. If you doubt my opinion, check out tracks from their Live Score album. They're an even better live band.
And y'know what, I haven't even gotten STARTED with Iron Maiden yet, who are my favourite heavy metal, whom without you have no heavy metal.
Iron Maiden's last 4 albums, in my honest opinion, are some of their best. Brave New World & A Matter Of Life And Death are their best albums. Nope, not Somewhere in Time, not Killers, not even Seventh Son, those two, which really is a testament to their greatness that they came back with music like that and with some of their best material they've ever written.
Dance of Death & Final Frontier also featured moments of true Maiden magic, but BNW & AMOLAD stand far out from the rest. Rock in Rio is also a great live album. Infact, Metallica, Maiden & Dream Theater have definitely been a huge influence on my own music. If you head over to the music section of my site, scroll down to my very 1st ep and listen/download the track titled 'Within The Temple', you'll hear a metallica influence in there.
Iron Maiden & Dream Theater's John Petrucci have heavily influenced my guitar playing over the years and in general. There are some tracks on my debut album MindsEye that have definitive moments of Maiden & Petrucci-esque guitaring. Try to figure out which songs. You can stream the ENTIRE album for free on Spotify (link here to my music section) or download it now via iTunes, Amazon or other android markets worldwide. Check out & subscribe my YouTube Channel, Like my Facebook page. If you're a guitarist, check out my Youtube Guitarist's Facebook Page too. And feel free to message me or leave your comments here, there or on Twitter @benjaminteacher. Thanks for reading.
I must thank Spotify for the email notification that Lady Gaga's new single 'Applause' (which you can hear from the audio video just below) is available to stream today, although this audio video was posted online yesterday, it will be available for purchase from the 19th. Still, as a few of you reading this are familiar with my appearance in Gaga's Google commercial & my YouTube cover videos of some of her songs, you'll already know I'm a fan of hers.
Her 1st record & the re-release w/ added tracks was great. I didn't mind the follow up record, but this song, this is what Gaga is all about. It's got the perfect balance of beats, hooks, melodies and harmonies. This song will be on every tv commercial by the end of the summer. It's safe to sa that it will probably knock Daft Punk's Get Lucky out of the top spot for track of the year, which is quite the bold statement to make, yes, but Gaga knows how to write a tune, and if the album is to bare any reflection on this track, ARTPOP will be her best work yet. Listen for yourself!
For anyone that has never seen the Google Commercial, check it out below, along with the original video that was featured in it. The original video hit over 11 million views before Google made it private, fuck knows how many times it was shown on TV, but the response I got from people who've seen me in the ad and performing around the UK is amazing still. <3
Catch Lady Gaga opening the MTV VMA Awards this Sunday 8pm EST.
You can check out my other Lady Gaga covers and a song I wrote (The Lady Gaga Blues) on my YouTube channel (Click Here). Subscribe if you like, Like me on Facebook (Click Here) & follow me on Twitter (Click Here). Also, check out my new album. Links in the music section. : )
I want to take you all on a journey through my musical career from the very beginning with the background of how I start out musically, culminating in the creation of my own label & producing my debut full length album, MindsEye. You may wanna put the kettle on.
I feel very privileged to be a professional musician, especially knowing my own personal physical limitations, I've never been one to moan about disadvantages or being different. You only live once, so that's what I always intended to do and I wanted to play the guitar, sing and write music. My Bio gives you the modern day jist, but here I will tell you a tale.
A long time ago....
I made a few EP's before making MindsEye. I wanted to do something far more grandiose than I've ever done before. Every single song I have ever written I have recorded and produced myself. I have played with many bands and musicians before I decided that I wanted to do my own thing. I look back on these times with an optimistic point of view. Not every musicians first band is their greatest, only & last band. We can't all be Rush eh?. : )
The 1st band I was in was called D.V.D (Damned Via Distortion) which pretty much started from High School. My fellow classmate was a drummer who could pluck a few chords on the guitar and I was learning the guitar every day, singing and (oy vey) writing lyrics. The songs we wrote weren't completely laughable, but I wouldn't compare our set list to the 1st R.E.M EP neither. It was a learning curb. We stepped off of it and did one gig, which went spectacularly wrong, mainly because our bass player didn't turn up....well, his physical presence was there, but his mind was at the bar........in another venue. The band experience was just that, an experience. a valiant attempt of finding a new bassist just didn't pan out, thus t'was time to move on. First band, end scene.
I then formed a new band with a new bass player, new drummer and my friend Matt on vocals. Seriously, the guy sounds like Sebastian Bach. I wrote all the songs, even recorded all the basic demos for the band to learn from and bang out in the studio and with no word of a lie, our very 1st band practice was fantastic. The lads learnt 4 songs, actually learnt them. We sounded like an actual hard rock band. Unfortunately, Matt had another band who he was in 1st, so understandably we took a back seat priority wise, which sucked at 1st, but given that our drummer was abit mental and our bassist was sniffing spare charlie off his bass before practices (nice guy though), I just wasn't into that shit. Long story short, this band (with no name) disbanded, as Matt's band, Structured Chaos, released a couple of EP's before their cloak wearing guitarist and their drummer (who couldn't keep time) took their over inflated egos and movedon.
In the words of Victor Caroli, It is the year 2005 and, in this case, no Transformers in sight. I decided to form a new band after playing various gigs with other bands that includedmy brothers. Only this time, sharing the song writing load. After placing a few ads in some local mags & rags I found Sandra, a local female rock singer. With common musical ground we formed a band called Miraje (pronounced Mirage). We were a duo searching for a decent rhythm section whilst simultaneously playing small acoustic gigs & working on some songs. Three tracks of which for a demo EP (What You See Is What You Get) which was never released bar a track or two posted on Myspace.
This band experience was a mixed blessing. On one hand I got to finally experience a collaborating process, working with a singer who wrote lyrics and came up with their own melodies. Compromising in a band is harder than it seems. We couldn't completely agree on musical directions, which ultimately led to a split. Thankfully I took all the positives from this and decided at this point I was better focussing on the music I wanted to write, even though I was not the best vocalist in comparison to my band mate, who to hercredit had a decent range & power, reminiscent of a female Dio (as someone once said after a gig). I needed to work on my vocals and thus began the solo venture........*costume change*.
There were a couple of tracks that written around this time period that I rewrote and used for my 1st solo EP, Divine Inspiration, including the tracks Nightcrawler (featuring my mate Matt on vocals), Within The Temple, D.I (Instrumental Intro) and Vagabond.
Limits In Expectations was my 1st real solo effort in the fall of 2005, finishing it and releasing it on Myspace in 2006. Originally I recorded 15 tracks for it, though I brought it down to six. Musically, this was more of the indie rock direction that I grew up listening to a fair bit in England, bands like The Verve/Richard Ashcroft, Radiohead, Embrace, Oasis/Noel Gallagher, Coldplay and others. For some reason I always seperated the styles that combined my all-round taste. Not many musicians will list their overall musical influences from bands like The Verve & Radiohead, adding bands like Iron Maiden, Dream Theater & Yes, then following that up with Steve Vai, JoeSatriani, Planet X and then others like Eric Johnson, Vince DiCola, The Cardigans, 30 Seconds To Mars and so on. It took me a while, but I did eventually realise that it doesn't matter who or what musically influences me, it's the music I write that IS me, whatever the "style" or "genre" it falls into, that IS my genre, my style.
Limits featured some of my most honest lyrical content from life experiencessimplified, guitar driven sound. Each track had a different reflection of time, though a similar musical theme throghout. When January 2006 came along and the Arctic Monkeys were the flavour of the UK music scene, Richard Ashcroft was releasing his 3rd solo record Keys To The World and was signing autographs/cds at HMV's Oxford Street store in London. I'm a huge Verve & Ashcroft fan & influenced by all of his music, so, I went down with a copy of Limits in hand to meet the man himself. I saw him live at the Astoria in 2002, which was a great show, though meeting him & being able to personally thank him for the inspiration & just to tell him that I'm a huge fan of his music was great. What made the day better was his reaction when I handed him my cd & telling him I did the whole thing myself, he was very humbled, polite and a true gentleman, gave me words of great encouragement and belief in my abilities as a musician & a songwriter inspite of my disability, that, the free signed album & posters (you gotta love free stuff #Jew) made that one of the best days of my life. Not bad for a birthday gift as well.
Continuing through to the following year with writing more music I was still seperating tastes and styles. I like ALOT of music spanning across various styles. Trying to fuse these styles and sounds together was a challenge unto itself, one that I eventually managed to figure out.
With that in mind, 2007's Violet Sky EP was the complete opposite of Limits, being completely instrumental, no vocals. This was quite the challenge as I found it difficult to create melodies with the guitar as the vocalist. VS was a very Vai & Satch influenced EP, showcasing my passion for the electric guitar. This was also the EP that featured the restructured instrumental version of the track that I was constantly working on, titled ThunderLightningBolt. This track was one of the original songs written two years prior in Miraje. Singing this song was not possible. At the time, my voice was still progressing and certain ranged were too demanding. TLB is still one of my personal favourite instrumental songs I have written. It was the most challenging piece of music I had written at the time, fusing many overlays of harmonic guitars into varied time signatures. At the time I spent alot of time on this one track that it felt like a personal theme tune that still had room for growth and potential, but the Violet Sky EP as a whole had potential. The opening track Welcome To The World is the 1st of a trilogy, with part 2 being featured on my debut album. Myspace lended a hand with the promotion of this EP, tThis track and video were featured in an MTV America animated pilot 'DJ & The Fro' in 2010, a modern day Beavis & Butthead styled show that was never picked up for a full time schedule.
In the spring of 2008 I recorded a more acoustic based called The Code Breaker, which I wanted to gig and thus re-formed my solo/backing band with an entirely new line-up. with an Indian chap on guitar, uncle fester spliced with cousin IT on bass and someone's grandad on drums. This sounds as funny as it looked, and you know what, it was funny. Some of the gigs we played were fantastic, tight musicianship, bold sounding & lots of fun, but some of them were beyond shocking. You only hear these stories all the time and wonder if they actually happened, well these actually fucking happened. These shows were known as;
The Gigs of UGH!
In late 2008 I was approached by and signed with Stone Island Records (but never actually released any music through them). When a band or an artist gets "signed", the automatic assumption is "new record, touring, merchandise, magazine articles, etc". Unfortunately this was not the case. I was under management that didn't manage anything. As a band, we wanted to gig, but never got many gigs....saying that, they got me one, ONE fucking gig. The supply of free booze was the only upside I can recall, reason being because I don't drink alcohol and thus could remember every single detail, right down to the hole in the venues ceiling, the bucket of rain water on the dance floor and my pissed up, but very talented drummer shouting "don't kick the fucking bucket!" mid-song while pissing himself laughing. Looking back, it was funny as hell, but at the time I was seething beyond belief while I got the cheshire cat grin treatment all-round. This wasn't be repeated, that's for damn sure.
Coming to the end of a long stretch of gigs there was a couple in Camden that stand out. The Dublin Castle with the drumkit share from hell. We couldn't use ours because the "headline act" (can't remember, wouldn't wanna remember their name) already set theirs up, same shit, different venue. Naturally for a bunch of tossers, they didn't take kindly to my drummer pointing out the obvious flaws with their swinging toms and non-existent bass pedal sound, so that was a fun night I can tell you. One of the other Camden venues we played at on a Monday night had a sign on the door saying "Closed Monday"....WTF? Despite the stupidity, the venue opened to a man & his dog & we played with a band from Hornchurch called Corporal Machine & The Bombers. I love this band. If you're ever in London or Essex, check them out. They were a great live band who like to have a fucking laugh.
The proverbial last straw came at a venue in Romford that made us start playing without a fucking sound check as the gaggle of cretins that were due to perform after us had took it upon themslves to over-run their sound check by 25 minutes in a vain attempt to set up their laptop, simultaneously strumming one chord to a repetitive beat. Understand this, to the average person, it's completely irrelevant, but when you're a band, in a venue, waiting to sound check before you gig to a packed out pub and you have to sit there, downing over-priced tap water, watching wounded ducks trying to turn on a Mac, you wonder "Why?".
Collectively, these experiences certainly put me off gigging in these venues for a very long time. There's no passion, no commitment, no energy or even mere common sense in 98% of these venues that we played. Bands, don't think about getting paid unless you bring your own crowd and expect to get treated like a bunch of idiots by a complete moron. Also, make sure the venue has it's own PA, just in case they "expected" you to bring your own. This is not a joke.
When 2010 came about I wrote the 4 track Instrumental Rock EP UltraViolet Lights and would be busking/gigging this alot around London minus the now defunct backing band. This was the closest to a metal record I've ever produced with some eccentric guitar playing, which may appeal to the Guitar Hero in you, if that is indeed your thing.
Rolling into 2011 came the Supernova EP, blending sounds of electronica, acoustic rock, hard rock & world music, mixing vocal & instrumental tracks that silently paid homage to the musical direction I ventured from. If anything, Supernova, for me, was a platform by which to build on. The ideas were there to build on the foundations and take it to the next level. It was from this that I wanted to expand my sound to greater boundaries, learning to play piano/keys more efficiently, bettering my bass playing & my drumming in a wholehearted effort to write the album that I've always wanted to write, record & perform where possible.
You will find all the links to my entire music catalogue in the 'Music' section via the tab above.
For now, to be continued for a future blog....
This is where I'll blog about the things I like and don't like from music to wrestling & thensome for everyone to read and enjoy.